International Festival
TRIESTE PER LA DANZA 2010 / Danza e dintorni contemporanei
VIII edition
Artistic Director Corrado Canulli
Tuesday, 25 May, 2010 at 9 p.m. in Sala Bartoli
BUTTERFLY Choreography and direction by Laura Corradi; music by Giacomo Puccini and original music by Enrico Terragnoli and Fabio Basile; interpreters Carlotta Plebs, Midori Watanabe, Cristina Surace, Augusto Roberto Costa and Giuseppe La Regina; design, lights and staging by Alberta Finocchiaro; costumes Transit par-such.
The isolation of Butterfly is crucial for the organization and for the end of his long wait; the bitter story of a keen desire that live in the imagination and doesn't come true. Who waits, suspends the flow of life itself, it stops the flow waiting for the appearing of the awaited (awaited as desired).
A gentleman was in love with a noblewoman. She said: "I will be your only when you've spent a hundred nights waiting for me sitting on a chair in my garden under my window." But the 99th night, the knight arose, took his chair under his arm and went away...... Roland Barthes
He went away because at the expiration of the one hundredth day he sold out his wish because of the wait; he has explored every possible aspect of desire through the imagery that has populated the wait and do not want the woman who the next day would be his own but that he does not know, for whom he can't therefore feel any desire.
Ah, if Butterfly had known it ...
Wednesday, 26 May, 2010 at 10.30 p.m. in Sala Bartoli
ROOMMATE Conception and choreography by Sanja Neškovic Peršin; music Blaz Peršin; performers and choreographers Leja Jurisic and
luci Borut Bucinel
What time does she stop being what she think she is?
At what point we must stop being what we think we are? Roommate investigates the threat intrinsic in the association between various layers of consciousness with reality. The identity of the individual blocks is not stable and fixed but fluid and changeable.
Thursday, 27 May, 2010 at 10.30 p.m. in Sala Bartoli
DUET 012/ the diversity of opinions is wonderful! Choreography by Rosana Hribar and Gregor Luštek; video director Peter Bratuša; music by Klasick-Jahkuzi/DJ Jamirko, Love Song / Dan D.
It 'a rare example of a dance show that for the construction and highest level choreographic interpretation is flawless. It tell about the 12 years of professional and private lives of both performers and choreographers who, through the language of dance, live on video and on stage a variety of encounters and emotional situations alternating registers of ballet and modern dance and that will give life to a personal aesthetic of dance.
"Rosana Hribar and Gregor Luštek that - as the scene of the Slovenian International - stand out from the normal paucity of ideas for content, structures of thought and depth executive" Mojca Kumerdej, DELO
Friday, 28 May 2010 7 p.m. Square St. Antonio Nuovo
ANEMOS Conceived and directed by Nadia Scarpa and Fabio Turchini; choreography and interpretation Nadia Scarpa Mantra and music by Claudio Cappelli costumes Filippo Guggia.
The focus is on wind, the wind force behind a dancing body and a voice says. The wind tells us about Anemos is the sphere of poetry, namely, the romantic poetry of Shelley, where "the wind is not only the breadth of different seasons is ... even the wind of contrasts, and the storm ... , above, is the energy of inspiration and poetic creation. " Thus, in this work, the narrator, following the flow of the wind, it makes mass that sustains us and then reject us, you scream that shakes and enhances, where the dancing body moves on the thin line between absence and presence,breath of an impalpable caress, a hissing away, that the closer you edge, the moving air generated by a human presence that goes beyond us running and then vanishes.
Friday, 28 May, 2010 at 10.30 in Sala Bartoli
FUTIL Choreography by Thomas NooneMusica Joan Chic - Gene Carl - Thomas Ades - Tito Puente - Eddie Palmieri - György Ligeti Entries electronic Tsn Interpreters Nuria Martinez and Thomas Noone; light Design Miguel Muñoz table Jordi Castells.
The duet expresses the development of a couple's relationship, told through the reverse chronological beginning of the show the players are separated, while witnessing the end of their first meeting. The choreography focuses on the observation of a couple and the space that separates, or unites around the metaphor of the relationship.
"Fùtil captivates the audience, it gets the undivided attention, it captivates with a powerful and instant communication, without sacrificing originality, inventiveness, the high technical and aesthetic impact, in which each solution has a semantic and flows naturally from the previous one. At the end Fùtil is hailed with real "standing ovations" with an overwhelming flood of applause that fills the main characters .... "Dejan Bozovic, Il Gazzettino
"Fùtil speaks to us in our everyday lives, our relationships with each other ... Noone clear exposition constructs a choreography, creating two steps enhanced by simple but poignant personal inventions. See the dancers move in the REA, and it really is a feast for the eyes. "Erica Culiat, Messaggero Veneto
Saturday, 29 May, 2010 7 p.m. Piazza Cavana
A moment's landscape ... framed by JS Bach's Goldberg Variations, and what if Bach was really a painter? Choreography and interpretation of Yuri Johan Sebastian Bach Music Konjar
It 'a beautiful spring day in Vienna: I arrived yesterday in this small, dusty studio, full of furniture. I slept a few hours then I piled the furniture clean and in order to have space to move. They are the fifth floor of a building overlooking a quiet and sunny: while being close to downtown, I can hardly feel the city, the cars, the shouts of the people even though I know it's there ... and I disturb, even in the performance of this choreography ...
Saturday, May 29, 2010 21:00 Sala Bartoli
TORT Choreography Thomas Noone Diego Music Dall'OstoInterpreti Alba Barral, Javier G Arozena, Horne Horneman and Paloma Muñoz Lighting designer Jaume Ortiz
Tort is pure abstraction: a survey of the use of stage space, the timeline, and both the internal organization of the group dynamic in individuality. Tort is the search of the symbolism and power of suggestion generated by the body, formed and deformed front of the viewer. The dance proceeds in parallel with the music of Diego Dall'Osto, which combines intense moments and subtle rhythmic melodic motifs. Two views of music brutally juxtaposed in sharp contrast, extending the same time their differences by seeking common ground
CHAOS Coreografia Roni Haver and Guy Weizman Music Heiner Gobbels Interpreti Alba Barral, Horne Horneman, Nuria Martinez and Thomas Noone
Light design and costumes Guy Weizman
The idea was inspired by chaos theory.
Chaos theory was developed assuming that all matter is connected to another through a system of physical reactions, unpredictable, not regular. It then focuses on the hidden paths on gradients, and the sensitivity of the things that lead to the unpredictability of the new rules. Chaos theory fits perfectly with creativity. Nature, for example, continuously generates new forms its own "organizing chaos." Similarly, the art of generating new and unpredictable images, revealing herself as the stream of life flowing through sudden changes and strange paths.
Sunday, 30 May, 2010 at 7 p.m. Piazza Sant'Antonio Nuovo
ANEMOS Conceived and directed by Nadia and Fabio Scarpa Turchini Choreography and interpretation Nadia Scarpa Mantra and music Claudio Filippo Guggia Costume Hats
The focus is on wind, the wind force behind a dancing body and a voice says. The wind tells us about Anemos is the sphere of poetry, precisely, the romantic poetry of Shelley where "the wind is not only the breadth of different seasons is ... even the wind of contrasts, and the storm ... , above, is the energy of inspiration and poetic creation. " Thus, in this work, the narrator, following the flow of the wind, it makes mass that sustains us and then reject us, you scream that shakes and enhances, where the dancing body moves on the thin line between absence and presence,breath of an impalpable caress, a hissing away, that the closer you edge, the moving air generated by a human presence that goes beyond us running and then vanishes.
Sunday, 30 May, 2010 at 9 p.m. Sala Bartoli
ULYSSES We start when something pushes us to move Choreography, lights, voices, sounds and interpretation by Jurij Konjar
Ulysses tells the search for a way back. The same was for Omero's Ulysses, Leopold Bloom for Joyce and Joyce himself. This solo was created during a trip that lasted three months, taking care to belong and become one with the environment and the city. On stage, these places are revealed and shared with the audience, through movement, sound, madness, pain and joy.
